The Awakening

Awakened
  stained by
  the ink of night

Awakened
  nightmares 
  half-eaten by
  invisible rats 

Awakened
  stillness of city dawn
  but for muted sounds
  of sharpening blades

Awakened
  grateful walk  
  into morning   
  to tones of fugue master

Sheep are safely grazing
  still untouched by
  man’s nightmare needs.

-0-

About 1emeraldcity

Teacher, writer, touch of the poet, laughter, wit, cats, all animals, nature, solitude, friendship, cosy pubs, flamenco, classical guitar, good food...I even savor dark moments...occasionally.
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41 Responses to The Awakening

  1. peterwilkin says:

    Dark & powerful poem, Jacquie ~ with a poignant ending. Brilliant! :)

  2. This is a fine and frightful thing. Dug deep and lifted far, I think.
    Thanks for sharing this, Jacquie :)

  3. fridayam says:

    There are things I really love in this Jackie, but the form cries out for it to be adhered to so the end feels as if it falls apart–do you get my meaning? Once you have started on the “Awakening” line, you need to stick to it. I really enjoyed reading it though–and that music means a lot to me too:)

  4. Martin says:

    This is a poem which bites on to me. I had to read it more than twice. Because it evokes a mixed feeling with contrasting images; and it leaves a discomfort. Like awakening into a peaceful, elusive calm between two nightmares. Great!
    Hugs to you, Martin : )

    • 1emeraldcity says:

      O, wow, Martin! You certainly experienced the feelings I was trying to evoke here! That gladdens me so! The mixed feelings, and the uncertainty is what I was aiming for, and you got it! Thanks so much for the read and sensitive comment. And hugs back to you!

  5. libithina says:

    Ahh Jackie I felt and sensed the almost grating frustration of the sounds ‘Awakening’
    ‘sharpening blades’
    and I winced at the line
    ‘half-eaten by
    invisible rats’
    and then the juxtaposition of the innocence
    of the ‘sheep grazing’ ‘safely’
    untouched by the ‘nightmares’ of man
    This was a very poignant write Jackie
    and had such an immense layering of depth
    in and between the lines
    provoking much thought and feeling

    ~ Warm Hugs ~
    Lib x

  6. Quirina says:

    Nothing like the tranquility of Bach to contrast with the darkness, invisibility and the grating of city’s fast life. Beautiful poem, Jackie. And I think you’re ending is perfect. The night had to fall apart to make way for sheep grazing safely … now we can count them and fall into blissful sleep. :-)

    • 1emeraldcity says:

      Ah, thank you so much, Q, for that sensitive and thoughtful read, and the lovely comment. The sheep are safe for the time being, yes..but man and his nightmares lurk. Can we count on man to keep those sheep safely grazing? That is the question. Thanks again, my friend!

  7. Quirina says:

    It is a pleasure, Jackie. But your questions make me wonder. Why are the sheep safe? Are they really safe? Or is it an illusion. And do they not also have nightmares? Maybe some of the sheep think the grass is greener on the other side of the fence, but they might fear defecting from the flock. :-)

    • 1emeraldcity says:

      How intelligent you are! The sheep are safe only for the time being in my mind. Man’s greed and need for meat will not keep them safe for long. The stanza about the blades being silently honed is a clue…the nightmare, I think does not reach the sheep until captured for slaughter. The nightmare is man’s avarice and his not so always good stewardship of plants and animals. Yes, we need plants and animals for food and many other things, but we poison our natural resources, and lay waste. This is my nightmare…or at least one of them. Thanks so much again, Q, for your thoughtful read!

  8. deep, dark and evocative. nice penning. :)

    Kellie
    @BackyardPonders

  9. apoetryman says:

    That definitely has the touch of darnkenss ~ the relief at the end of another night ~ dawn’s light is definitely welcomed!

    • 1emeraldcity says:

      Yes, the poem is dark, and that relief at the end is questionable…because that sheep will be lamb chops. Clue in the stanza about Gotham sharpening blades. The threat of man’s greed and waste is what I am driving at here. Thanks so much for the read and comment!

  10. Pat Hatt says:

    Truly the darkness does surround your verse. Some nights I just want to kill those sheep too. They baa too much..haha

  11. ayala says:

    Deep, dark and excellent!

  12. brian says:

    yeah but they better not rest on their laurels…the men are coming with shears for their coats and stakes for their babies…i really was talking about the sheep and not making a political statement…smiles…really….no really…smiles….ack invisible rats!

    • 1emeraldcity says:

      Hi, B! Yeah, you got it alright. Those blades being sharpened were being honed for iminent sacrifice, unless, of course, the rats got their first…thanks for read and comment, Brian!

  13. marousia says:

    Dark and light so beautifully combined – the reference to Bach is perfect – to me it suggests that darkness is always lurking – I wish the invisible rats would eat the whole nightmare – not just half :)

    • 1emeraldcity says:

      Hey M! So glad you related to this…yes, darkness is always there…and we don’t choose between dark and light in our dreams, do we. Thanks much for the read and comment!

  14. hedgewitch says:

    Third stanza really grabbed me, but the whole thing keeps that surreal dream feel of symbol and nuance, nothing as it seems, all mood and hints and ambiguity. Very good stuff.

  15. Brian Carlin says:

    Reads like the balancing on scales of opposing nightmares, and I catch an ambivalence lurking in the first two stanzas…. Good write

  16. jennifer says:

    simple and powerful, I love the fourth stanza x

  17. C Rose says:

    “fugue” – great word! loved the carry of dark to light, imagery you pull through here transitions so well. Lovely write and thank you for the kind visit and compliment on my words, appreciate you! ~ Rose

  18. You’ve really called up that world of terror we find in another life. I’m really drawn into the way it affected you and your relief from the terrifying emotions is nicely drawn with the idyllic. I am quite taken with the use of everyday words to convey your emotions. The lack of overly sensational adjectives and adverbs makes the poem read really well.

    • 1emeraldcity says:

      Hi,Chazzy! Yes,there was some relief in the idyllic, as you say. However, the idyllic is also threatened. Those sheep are grazing safely, only for a while. The clue to their desmise is in the stanza where blades are being sharpened. I tried to point out the greed and waste in our stewardship of Plant Earth. Thank you so much for your sensitive read and comment. Much appreciated!

  19. Steve King says:

    Jackie,

    “Sheep are safely grazing
    still untouched by
    man’s nightmare needs.”

    There’s a lot of tension in this stanza–of course the sheep won’t ultimately escape…This is a powerful work. The human references are great, too: For me, the “grateful walk” seems like temporary respite and denial. Nothing and no one is really safe!

    • 1emeraldcity says:

      Boy, Steve,did you ever nail it! Yes, the morning walk is a respite…the blades are being honed, the sheep are yet undisturbed…but for how long…and you are so right..nothing, no one is safe. Only respites. Thanks so much for your read and right-on comment. Missed your entry this time. Hope all is well with you. Warm regards. :) )

  20. morning says:

    smart wordings…

    keep it up.

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